Guitar Revolution is a piece of music made up of four parts, for an infinite number of guitars. The parts range in difficulty from very simple to complex. You can learn the piece here for free, and then join us on the 10th of September at The London Acoustic Show to rehearse it and perform with The Chris Woods Groove Orchestra – everyone is welcome! click here for Tabs and much more
New Single Release – The Chris Woods Groove Orchestra
The release of two new singles from ‘The Chris Woods Groove Orchestra’. Edinburgh and The Chine, are two exeptional pieces of music, featuring Hang Drum from Matt Calder, Tabla from Harkiret Singh Bahra and Double Bass from Lukas Drinkwater. The video for Edinburgh is already live and of course you can download or stream the new singles now… from Spotify and Itunes..
There will be various performances this summer from the orchestra, including Larmer Tree Festival and the Acoustic Festival of Britain, stay in touch to see more dates 🙂
Stop Hitting Your Guitar – Seriously!?!

Like many people across the globe I remember the day I opened an email to find Andy Mckee’s ‘Drifting’ video. For those of you who haven’t seen it (do you live under a rock?) this tune contains percussive guitar techniques (aka hitting your guitar, or Percussive Acoustic Guitar).
Now, my reaction at the time was something along the lines of ‘why is he doing that?’ ‘Whats the point?’ ‘You need to get yourself a drummer mate?’….(sorry Andy!)
If you hadn’t guessed; my opinion on Andy Mckee’s ‘Drifting’ changed – in fact my outlook on music changed. I am in fact a fan of Mr Mckee – the man is a musical marvel, one of the worlds awesome musicians and an inspiration to me and players across the globe – he is most certainly very very musical! All hail Andy!
Since then I have carved a career which, in reality, owes thanks to percussive techniques. Many of my compositions contain percussive techniques (like this); I wrote a book and DVD on the subject, as well as two apps, a regular article for Acoustic Magazine a video series for GuitarInstructor.com all influenced by percussive playing and more. Im sure a large proportion of my bookings, especially at the start of my career, have come from using this approach. And in the end, I have now found myself on the receiving end of the same idiotic attitude, that I once had…
I’ve seen social media posts that express ‘stop hitting your guitar’ from guitarists whom I seriously respect. When I release a video a handful of irritating people will comment ‘stop hitting your guitar mate’. And of course I have also experienced this in the real world. The most prominent example occurred at the Ullapool guitar festival (which if you haven’t been, you must go its amazing!) A couple of years back I was lucky enough to perform, and soon after I delivered a workshop, alongside some great players. We asked the attendee’s what they wanted to learn…and they answered ‘not that percussive stuff!’. hmmm….cheers guys.
So, its pretty clear some people have an aversion to percussive playing, including me at one point. Some just don’t enjoy the sound…and fair enough. But why are so many people genuinely angry at it! why ‘o’ why!!!?
Im pretty confident we can split these lovely folks into two categories…
- ‘Argggh! I’m bored of seeing this stuff!’ – those people who have seen far too many percussive guitar videos.
- ‘Stop doing that, its not musical, there’s no point!’ – those people who just think its for showing off and really is a bit silly.
Category one: There is plenty of percussive guitar players. I can’t say I’m bored of it, because I don’t listen to it all the time. Like all of us I can choose what I listen too. So…I guess thats the first group covered.
Category two: Now this an interesting one. This is essentially the reaction I had when I first saw Andy Mckee hit his guitar. My opinion changed as I grew up, and I realised three key things – three important points some of the anti-percussion camp should take on board… here we go…
Firstly and most crucially; you don’t need to judge music, or even create an opinion on it. No one really cares what you think, and rightly so, because who on earth are you to judge? Perhaps the music has been written as an emotional soundscape and to the composer a certain technique helped them to communicate this, or perhaps they used those techniques to show off, or simply further their playing. Perhaps they wrote it just to irritate you! It really doesn’t matter, if you don’t like it…move on, its just another experience you silly billy!
Secondly I realised techniques are tools, and tools are good. Just like a pull-off or a slide, ‘hitting your guitar’ is a technique to help you communicate something, just like your vocabulary – its as valid as any other tool. If you are a player and you are refusing to learn this technique or tool you are being very silly indeed. You wouldn’t refuse to learn a new word would you, or refuse a screw driver for your tool box? ‘ooo no I don’t like screw drivers, everyone’s using them nowadays!’
Thirdly, I learnt to (try) not let my own insecurities interfere with my musical opinions. That’s right, insecurities! – They make us into angry judgmental people if we don’t keep them in check.
I think that anyone criticising someone for using a technique has to take a good look at themselves before they voice this. Is this jealousy perhaps? Can you not do it? Are you jealous of the amount of time someone has spent on creating something? I was obviously jealous of ‘Drifting’ …I think I still might be! Clearly there has to be some kind of emotional reason for actively disliking something that is of no detriment to you, the environment, humans or puppies. I was once that person.
Of course there is one final category; those people who are criticising players for ‘bad’ percussive techniques. These guys are the worst!…the real musical lemons….
Lets face it, some people are rubbish at guitar….some people are also rubbish at cooking, or in fact some people are rubbish at being a human. The later of course effects society in a negative way and is certainly worth criticising. But ‘Dave’ (a fictional guitar player!) who posts a video of himself playing a new composition where he battles through three minutes of painfully out of time percussive hits is not bad for society. ‘Dave’ is in fact good for society, he is a wondrous thing! And whats really cool is ‘Dave’ will get better… ’Dave’ has tried really hard to create something, something exciting, something creative and then he has shared his efforts with the wider world. I wish the category of criticiser in question would ask themselves, ‘What did I do today?’
cheers
Chris
www.chriswoodsgroove.co.uk
contact@chriswoodsgroove.co.uk
New Album – 48 Hour Atlas
‘A brilliantly brooding neo-minimalist masterpiece, written and recorded in 48 hours.
The new ground breaking album #48HourAtlas from guitarists Chris Woods Groove and will Mcnicol’
Chris’ latest release. Available now from the usual places; you can catch a full live video from each track being released on social media every Monday throughout September and October.
Candyrat Records release – RED ROOM
Check out Chris’ latest Candyrat video… this times it’s a collaboration with Jon Hart. The video recieved tens of thousands of views within 24hr’s of being released, have a listen to hear why. For all the guitarists out there; Chris is using an OCD Overdive pedal on his acoustic guitar. He is currently out on the road, touring as a soloist and as ‘The Chris Woods Groove Orchestra’ make sure you check out his tour dates so you can see even more new and unreleased material.
‘The Chris Woods Groove Orchestra’
Chris has launched two singles from ‘The Chris Woods Groove Orchestra’ which are available to download from iTunes etc and to stream from Spotify and more… The album is nearly there and over the coming months there will be opportunities to see chris perform as ‘The Chris Woods Groove Orchestra’. The first chance will be on the 3rd of May at The London Guitar Night, where Chris will be joined by Tabla player Harkiret Singh Bhara. Get your tickets here
Winter Tour – Spain, Switzerland and back again….

Chris is still working hard in the studio and cooking up something very special indeed…but before he unleashes his latest creation he’s heading back out on the road for a winter tour. Heading to Spain, over to Switzerland and the finally back to London. Get your tickets by clicking the image… Don’t miss out
19-02-2015 Carrots Acoustic Night – Spain
20-02-2015 UCAM masterclass – Spain
20-02-2015 Concert @Luis Guerrero Guitars – Spain
23-02-2015 Musikhaus Blue Wonder in St. Galle – Switzerland
24-02-2015 Musik Niederberger GmbH in Wolhusen – Switzerland
25-02-2015 Krompholz Musik AG in Bern – Switzerland
26-02-2015 DieGitarre.CH SA in Winterthur – Switzerland
27-02-2015 Boullard Musique SA in Morges – Switzerland
28-02-2015 Belmont Rcok School – Switzerland
01-03-2015 London Guitar Night
2014 A Year To Remember….
Chris’ touring for 2014 has come to an end. It’s been a year to remember with performances across Europe and of course appearances at amazing UK venues and festivals including Glastonbury. 2015 is set to take things even more memorable with tours taking him even further afield and of course the anticipated release of ‘The Chris Woods Groove Orchestra’.
2015 will also see Chris heading into the studio with other musicians as a producer and a player. He is set to produce jon Harts’ debut album and is guesting on Will McNicol’s and Luke Selby’s latest release. There is so much more happening, there literally isn’t enough space in this one post to tell you!…..you’ll just have to join us on Facebook and twitter or of course join the mailing list by Emailing contact@chriswoodsgroove.co.uk Tour dates will be announced in the new year… Merry Christmas and a Happy New Year!
Autumn Tour Underway – Including Online Video Release with CandyRat Records

Chris’ autumn tour is well underway, and remember you can keep up with Chris on the road on his facebook page. There has already been an array of exceptional concerts in exceptional places on this tour, whether its playing on a star disc on the edge of a cliff or hosting the Elixir Stage at the London Acouistic Guitar Show the reception has been brilliant.
There is plenty more to come as Chris has only just begun, still on the schedule is a host of UK dates a mini tour of Italy, a seminar at the Registry of Guitar Tutors conference and of course Chris’ latest video single release on the 25th of Sept with CandyRat Records. The best way to join in the video release fun and show your support is to click the image below and join the facebook event….and why not head over to the eventspage to see what shows you fancy coming too?
Summer Tour of UK and Slovakia
Chris’ summer tour has drawn to a close, and it has been a huge summery success! If you missed him, head to the ‘on tour’ page, to see him on his Autumn tour! In the mean time… here’s an interview!
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