Capo Evolution – The Finished Product

Capo Evolution has landed. You can read about the process in two different blogs Part 1 and Part 2

Capo Evolution – Part 2

We invited guitarists from all over the world to join our online guitar orchestra… this is what happened.

Capo Evolution’ is a piece I composed, commissioned by the G7th, The Capo Company, for an infinite number of guitars. All styles and abilities of guitarist were welcome; players were invited to learn one of four parts, film it on a smartphone and upload the video to be a part of our online guitar orchestra.

It’s been an amazing process, with players joining from across the world. Thank you to everyone who took part, thought about taking part, and supported in a way they could and of course thank you to G7th for their vision and support.

In this blog, I want to talk about WHY. Why I believe getting together to make music, regardless of ability or background is so important, and why the results are often so stunning?

If you’re not familiar with some of my other more community-minded orchestral projects, have a cheeky look here to see.  https://chriswoodsgroove.co.uk/guitarrevolution/

UNIVERSAL SUPERPOWERS and UNICORNS

Music is an exclusive thing. I know it’s not what you expected to read at the start of this blog, but it’s something I have observed. Music in so many parts of the western world exists as something excruciatingly exclusive. And no, I’m not talking about the class system, the one percent or free musical education in schools…

Fame and success is a divisive thing that dominates music, people’s perceptions of something being good or bad, measured by success, usually alongside fame or Ferraris.

This measurement of music continues in the supposedly more ‘serious’ realms too, away from Facebook Likes and fast cars. Schooling, grades, your musical ‘pedigree’, ‘are you classically trained?’, ‘Oh did you go to the royal college?’… etc.

Then we even have the very simple perception of music as an innate thing; perfect pitch, the ability to be a ‘singer’ or ‘not a singer’, the ‘I’m tone-deaf’ crowd.

Of course, it is all utter, tripe, poppycock, hogwash and baloney (hopefully some slang for everyone there).

These divisions, this exclusivity, exists because it makes us musicians feel better about ourselves and makes the non-musicians feel better about not being musicians. It’s a mutually beneficial agreement that helps everyone to make sense of music. Because music is…. magic, and sometimes it’s hard to understand or articulate.

This is where I appreciate I might lose you as a reader. Sorry, but yup I said ‘music is magic’, and I’m very serious. I think music is a thing that connects people on a level that we can NOT explain or in fact measure. I know that will wind up some of the sofa physicists, but hey, its fun to ruffle some feathers…

(I’m not a total nutter, I understand sound is measured in a million different ways, as indeed are brain patterns in reaction to it. But, the process of musical communication (i.e. playing together) or even the way we individuals react to listening is something of a mystery – seriously, it is.)

So., as far as I’m concerned, if it’s a mystery, it is, therefore, magic…. along with Santa Claus, unicorns, Brexit and money trees.

More than just magic, it appears to be a UNIVERSAL SUPERPOWER. Because unlike Santa Claus, unicorns or Brexit, or growing a tree that excretes money, it’s something we can all actually do; a supernatural power and not just an illusion… we can all ‘do a music’, you just might not like it.

Even Katy Price ‘did a music’ once.

So… now we have established that, let’s look at why I like to do these projects involving any old dick and harry joining in…

ROOM TO FOCUS

Hopefully, you took my suggestion that music is a universal superpower fairly seriously. I’m sure there is a way to word it slightly less sensationally, but where’s the fun in that! This ‘fact’ is the sole reason I love to work with music that is accessible to all players.

I totally accept musicians operate on different ability levels of course, particularly in the realm of accuracy. But if for a moment you think about music as a magical, amazing thing, which is about emotion, humanity and not precision…

(which it is, isn’t it?)

… you can then understand that if a piece of music is built with some reasonably simple physical limitations (by which I mean using ‘minimalist ideas’), all musicians are on an even footing. The pros and the erm… not so pros. The music becomes an exercise in the ability to ‘focus’ and to really ‘get into it’… also called ‘flow’ if you fancy some further reading – Instead of an exercise in, well, exercise.

“Capo Evolution” was another project based on this principle. Using relatively simplistic parts, it gave room for players to express themselves without having to sit in a state of panic about what comes next. The result is, I think, something that sounds great musically and offers something extra; the sound of people coming together to play music without ego or exclusivity… and that, ladies and gentlemen, is real magic.

Happy Christmas x

Chris