This is part 1 of a series of blogs, of journals, recording the journey of ‘Guitar Revolution’. If you don’t know what ‘Guitar Revolution’ is; here’s a quick summary….
Guitar Revolution is a piece of music made up of four parts, for an infinite number of guitars. The parts range in difficulty from very simple to complex. Players are invited to learn the piece for free and join a mass guitar orchestra of strangers and perform the piece. The Project was launched at The London Acoustic Show on the 10th of September. You can find out more here.
So, that’s it. That’s the revolution, in a nutshell….
There’s a fair bit to share with you at this point since its come a long way from conception to realisation and as we prepare to take it to communities across the UK; I can’t help but think, ‘blimey so much work has already gone in!’…so here’s the story so far, the conception of the idea, and how we got here.
The conception of the idea:
Strange as it might seem (even stranger as I don’t really like the game); I think Music is a bit like football. It brings people together. When those people get together, especially in their ‘teams’ as spectators or players; they lose themselves in a way that is borderline scary, although actually quite wonderful. In fact, when the ambience is right, people from all different teams can get together and share their love of football, and equally lose themselves in the moment. Of course football also suffers from all kinds of bad stuff…elitism, racism and then there’s those people who somehow know exactly how it should have been played.
Now, call me crazy but the similarities with musical culture and kicking an inflatable ball around a pitch are shockingly close…and before you get all upset by the comparison please remember a very large number of the population see how some play the game as an art, and Im not going to disagree…
Anyway….the point of this analogy? well, I wanted to explain to you why I would spend so much time trying to bring groups of people together to play the guitar. That football feeling of being together as a ‘team’, the players, the supporters, everyone, its amazingly powerful. It’s something I wanted to capture in a piece of music….
Now there is one very distinct difference from Arsenal FC and ‘Guitar Revolution’…and no, its not just the money…its that the players in Guitar Revolution are anyone and everyone who can kick a ball (erm…I mean play a guitar…).
Now for Arsenal inviting anyone who could kick a ball to perform at wembley would be a disaster. But, for music I believe its a bonus. Music works in layers, ranging from simplistic to complex. I believe EVERYONE who has the gift of hearing, also has the gift of being musical. I see no reason why an absolute beginner can’t play an incredibly simplistic line with the same emotional beauty that someone from the royal college can.
Im not delusional, I appreciate a mix of amateur players is likely to sound less polished than a mix of well rehearsed professionals….but music isn’t just about being polished is it? Its about; people, atmosphere, vibe, feeling, passion, magic. A terrifying amount of our musical culture is hideously elitist and exclusive. ’Guitar Revolution’ and yes…’The Chris Woods Groove Orchestra’ itself is very much focused on derailing those ideas.
The Story So far:
The actual piece ‘Guitar Revolution’ took a ruddy long time to compose…It’s gone through many different changes over probably a period of about a year. Why? well, trying to compose something that is simplistic enough for anyone to play, but contain parts that are complex enough to keep virtuoso’s interested…and not loosing sight of composing an emotive piece of music is actually quite a challenge. A challenge greatly helped by the lovely members of ‘the creative guitar orchestra’. These chaps and chapets were my guinea pigs. And boy did they work hard! (thanks folks )
So once the piece was completed, I set about doing something with it. I knew from the beginning I wanted to have it played by strangers….(see opening analogy! ) The option of taking it out on tour seemed slightly ridiculous at this stage since I hadn’t really seen that done previously and I had that distinctly unnerving feeling it may well be career suicide. After bouncing the idea with a few sponsors, promoters etc I got the feeling it was too big to achieve. In all honesty the idea was subconsciously shelved for a good few months, until….. Steve Harvey (former editor of Acoustic Mag) a fine gentleman dropped me a line to offer me a slot at The London Acoustic Show. I mentioned ‘Guitar Revolution’ and being the brilliant fella he is, he said ‘okay…lets do it!’ Which to me was a bit of a shock if Im honest…but ‘hey’ I thought…this is the chance to see if it fly’s or flops, and at this point it was the only chance I’d had.
So…once the idea settled in I set about trying to make it happen. Filming the video with the help of my groove orchestra brother Christian ‘Arthr’ Ballistrari in a way that demonstrated the different parts – which really wasn’t that easy. I then set about desperately trying to spread the word. Asking people to join at any opportunity.
If you’ve ever had a party as an adult, you would have come close to the feeling of insane insecurity that I experienced, except this party was going to be a little more public and be in a magazine and stuff! Will anyone actually come?? When you are an artist especially in the naughties, everything you do is very public even if no one knows your name, and seemingly the only thing you are allowed to express is ‘success’…and the thought of calling a project ‘Guitar Revolution’ that is performed by me and a handful of my mates wasn’t going to look to good.
Anyway…to cut a long story short, a whole host of people turned up, me, my mates, and well…loads of strangers! We couldn’t fit everyone into the rehearsal room…which was inconvenient, but very cool indeed.
We performed it and it was seriously inspiring…. I gotta admit I was so stressed out that I didn’t fully appreciate it until afterwards. The logistics of performing with your band and then bringing nearly seventy guitarists onto a stage for one song is pretty testing, especially if you’ve spent the last few months in near psychological melt down at the thought of no one coming to your party…. But, nether the less…it was very very cool.
Where are we at now:
Well…Its been an exciting few months. After asking people (via social media) if they wanted to get involved and help take it out on the road, its gone from a one off to a tour that will be enriching and exciting for everyone involved.
Sadly, making this stuff happen takes time and money so my second priority after getting the support from the public has been to try and secure some funding. With the help of a wonderful person an arts funding application is in, and Im also pleased to say Martin Guitars will be powering the event, which is insanely good. Not simply because of their support but because this guitar company embody a lot of what this project is about. Although you might associate Martin Guitars as being a ‘big’ company, they are actually a family business in both the literal sense and in the theoretical sense. Trust me I’ve spent time with a lot the guys and girls who work for martin and it really is like a family. They are committed to working sustainably, they have people at the heart. I haven’t announced this yet, but I though you as a reader who has plowed through over a thousand of my words should be rewarded with something of an exclusive!
So there you have it, its happening! – the first leg of the tour is booked and dates will be released along with a very very cool design very soon. And whilst we are on the subject of design, here’s four rough sketches created by designer and guitarist Sean De Burca, let me know which direction you think should be developed?….
So, in the next blog or journal post I’ll be getting stuck into the mechanics of how this thing is gonna work, just as soon as I know.…